How to Paint Breezy Sky

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Watercolor Painting Technique Applied to Ceramic Tiles

Here are info about it.

Students in this class use tiles as a canvas to create hand-painted and glazed works of art for home or garden. Working from floral still life displays or designs of their own choosing, students learn to use watercolor-like paints on bisque ceramic tiles to create luminous, colorful designs.

Experienced painters transfer their watercolor skills to a different medium, continuing ceramicists learn a new technique, and beginners in painting and ceramics explore the medium for the first time. Basic techniques for watercolor on ceramic are taught, along with the concepts of firing and glazing.

Still-life materials are provided as a source of inspiration. Each student finishes a six-tile panel during the class. The cost of tiles and firings is included. A supply list, including the watercolor glazing set, is mailed prior to the start of class.

Mixing The Colors in Watercolor Painting

Some info about it.

Watercolor out of the tube or the pan is at its full paintable strength. Seldom will it be used in that manner except when the design calls for it. However, the use of full strength color is by large discouraged due to bronzing when watercolor applied to the paper dries. Diluting and mixing color pigments with water changes its values, depth, and hue. When applying watercolor though, an important thing to remember is that the color will tend to be lighter when the color dries. If you want stronger color, you can make adjustments by applying slightly stronger hues before application or you can dab some more color to the object when the paint is already dry.

Creating test sheets

Before attempting to mix watercolor pigments, it is advisable to test out the colors first on a clean paper to get a good grasp on how it behaves and the color when it dries. Paint on a damp paper the colors that you will use. Maintain a uniform brush stroke starting with the lightest color to the stronger ones. Label the color and maintain a clean brush while doing the strokes. When the paints are dried compare it to the colors in your color well to judge how the final outcome of the colors will be.

Mixing a Puddle of Color

To start your puddle, wet the brush in clean water. This opens up all the hairs in the brush up to the ferrule.  At this point, your brush would likely be fully loaded with water, if so, remove excess water by thumping the brush a few times or run the brush across the rim of the mixing well.

Add the first color (red for example) by touching the tip of the brush across your pigment and dilute it some more with your puddle of water. Start watercolor painting and continue the process until you get the color value that you desire.

You do not need to wash your brush if you want to add another color for combination. Touch the tip of your brush to a new color (Green for example), dilute it with your puddle of water, and apply it over the blue or parts of the blue that you painted previously. Continue adding strokes until the correct color is achieved.

To keep tube and pan colors pure, place small amounts of the pigments in a separate well. This way, all your colors stay clean and will not intermingle with another.

Practice mixing primary Colors

To achieve a very good grasp on how colors behave and how it will affect your work, it is advisable to practice with primary colors. Primary colors are the colors Red, Blue, and Yellow. Combining these colors in different degrees will give you infinite color combinations. Most professional artists use only these colors and have created masterpieces out of them.

Paint Lake Using Watercolor

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Landscape in Watercolor

Watch this video about landscape watercolor.

Shading with watercolor

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Qualities & Characteristics in Watercolor

Above about qualities & characteristic in watercolor.

You can easily discover the relative transparency of each of your colors. Use a magic marker to draw a big (about 1 / 4 "-1 / 2") line on a piece of watercolor paper. Let your guide line to dry completely. Now, for each color you want to test a mixture enough brushful saturated color of your paint and brush in the line identification. Do this for each color you have, their labeling with the manufacturer (note whether student or professional qualification), and the color name and number. Leave your samples dry, then carefully observe the area where the paint overlaps the black line. If the color "disappears" when she straddles the line (for example, you see only a black line), we believe that the color is very transparent.

In sample on the left, most of these costs are transparent red, transparency is the least permanent Pink [& Newton Cotman Winsor]. You can see the leaves as a deposit on top of the black line to other colors.

Mix color

Here are info on mix color.

If you buy a tin of six basic colors that I proposed at the end of my basic needs, this topic will help you learn to mix colors actually are. I suggest you start with small amounts and mix the colors and those for a while 'all familiar with what they can do, you can always add more color palettes you as you get more experienced. Here are the six colors (with their successors) that I recommend as a starting color. (AP) is Winsor & Newton Artists' Watercolor, (GRA), is about to Grumbacher Academy watercolors. The color of the first list is my first choice and higher cat as a whole, but because the audience asked me a cheaper alternative, I included the color Grumbacher Academy. However, it should be noted that golden yellow and Vermilion Hue is not as lightfast as the Winsor & Newton alternatives.

Color mixing isn't complicated if you stop and think first about what color you want to end up with. For example, if you want a "pure" vibrant purple, mix it from a red and blue that both share or are biased toward purple–permanent alizarin or thalo crimson and french ultramarine or ultramarine (permanent blue). If you want a slightly duller, less intense purple, use the orange-biased red (organic vermilion) and purple-biased ultramarine blue. If you want a very greyed purple (hardly purple at all!) use the orange-biased red with the green-biased blue.

This same theory applies to all your other hues. The purest, most intense mixtures come from combining two primary colors that lean toward (are "biased" toward) the same secondary color.

The more colors you mix together, the grayer (duller) and less pure your mixtures will become as you can see from the mixtures below. The lines connect the two primary colors that were mixed in each case. Notice that when you cross the black dotted lines into an adjacent color quadrant that the mixtures are duller.

Colors that are opposite each other on the color wheel (like red and green, for example) will also neutralize each other when mixed, and make a grayish, brownish color. Try to mix the color you want using no more than three colors. Start with the lightest of the two colors, and add the darker one to it, a little at a time, until you get the result you want. Remember that watercolor dries lighter, so what you see in your palette should be a deeper, more saturated mix to compensate for this drying shift.

Watercolor Painting Techniques

Let’s know the watercolor painting techniques.

To outperform all other means of paint to use for beginners to start painting watercolors and watercolor techniques.
Media to enter the picture, offers anyone the opportunity to use the equipment with minimal cost and relatively light.
For example, for relaxation, holidays are drawing sessions. Most of the property immediately dried watercolor is located in front of you and inspire you, can produce a simple sketch that reminds you of the wonderful scenery, and for years to come .. ., sounds, smells, feelings and remember the place just could not turn any photo. However, many techniques of watercolor painting is simple is not always to learn to see them until you get used to.

It has a mind of its own that can at times seem to fight you all the way. Yet when you learn to accept that it sometimes pulls you in directions you didn't expect, suddenly you start to see happy accidents in your pictures that you learn to exploit, that previously you regarded as disasters.

Because unlike say, oil paints or acrylic paints, where you work from dark to light, finishing with the lightest highlights, watercolor painting techniques require you to work from light to dark.

This means you need a bit more pre-planning your painting, which once mastered, will stand you in good stead, whatever type of paint medium you use.

And don't worry, this 'pre-planning' isn't rocket science. It's just thinking for a second where you want to reserve the lightest parts of your painting before you actually start to paint.

In the watercolor painting techniques tutorials, you'll find lessons on painting skies, water, textures, flowers - any subject you would wish. All of which enhances your confidence in working out your composition before you begin.

There's hints on color mixing to avoid muddy colors, creating mood, painting different types of light, shadows, in fact all you need to know to make that watercolor glow with light.

Paint Reflection in Water

Here's about how to paint reflection in water.

This watercolor painting shows three ways of teaching reflects the water. I use the photo for the three methods, so you can easily compare the results. The goal is to learn different methods of painting water, so it can be different or how you choose to approach you like best or only way.

I took the picture of the windmill as the subject of this sport because it is only slightly more interesting than a normal home and away with the complications added to your corner right there!

Using a pencil, lightly draw an outline of a windmill (as shown above) onto your sheet of watercolor paper. Draw it three times in a row, then draw a reflection version under the left-hand windmill only.

Paint the windmills using my colors as shown, or select your own. Don't worry about doing anything fancy, this is just an exercise to show how things work. Each area is just filled in with a flat wash.

The colors I've used are:

• Sky: cerulean blue
• Foreground: cadmium yellow and cerulean blue
• Bushes: cadmium yellow and ultramarine
• Windmill sails: raw sienna
• Windmill building: burnt sienna
• Windmill door, windows, and top: burnt sienna and ultramarine

Now you've got the first reflected windmill painted and it has dried, it is just a simple matter of painting the water surface. This is done by laying down a cerulean blue wash over the entire water area, going right over the reflected windmill itself as well are the reflected foreground and bushes.

This dulls the reflected windmill colors and makes them look as if they are in water – just what you want to achieve.

Using your same colours and using small horizontal stokes, paint in the windmill and then the water. You may want to mark a few pencil dots where various parts of the windmill will be in the reflection, to act as guides.

Don’t bend your wrist as you paint these lines, or they will end up as curves rather than straight lines. Instead, hold the brush firmly and swing your whole hand gently from your elbow.

This technique is the least predictable, but produces a very realistic result. We are going to work wet in wet, laying down the blue water first and then dropping in the windmill.

Have your paper lying flat for this technique. Lay down a wash of cerulean blue over the whole water area, and then wait for a little until this begins to dry. If you go in too soon with other colours they will spread to far and fade to nothing, and if you go in too late the paint may cause cauliflowers and backruns to form, or just not blend at all.